“Notes on Field_Notes: Expanding the Possibilities of Bioart” (April 2019)
“Field_Notes: The Technology of Divination” (May 2019)

College Art Association’s Art Journal Open (Spring series)

Curating Art and Science: Art’s Work in the Age of Biotechnology”
Engineering Life (March 25, 2019)

Curating Art, Science, and Technology”
Technology’s Stories: Society for the History of Technology (December 20, 2018)

Observing Artists in the Field: Ecologies of Senses”
With Bilge Hasdemir. CLOT Magazine (December 7, 2018).

“Shadows and Ashes: The Peril of Nuclear Weapons”
Backchannels: Society for Social Studies of Science (October 15, 2018).

“Intersecting Art and Science: Curation, Curriculum, and Collaboration”
AHTR (September 2017).

“Art’s Work in the Age of Biotechnology: Shaping Our Genetic Futures”
SciArt Magazine (August 2017).

“Poetry and Science.” Leonardo Gallery: Scientific Delirium Madness 3.0.
Leonardo 50:3 (June 2017): 236-245.

Frankenstein: Annotated for Scientists, Engineers, and Creators of All KindsContributor. Edited by David H. Guston, Ed Finn, and Jason Scott Robert (The MIT Press 2017).

“Para-artistic Ethnography – or, Becoming a Spy in Lapland.” Co-authored with Lea Schick, Changing Weathers, Spring 2017.

Robot Spirit Engine. Editor; commissioned and publicly solicited “Cheers for the Future” collection includes poetry, flash fiction, and traditional squad cheers; Four Chambers Press, August 2016.

Making Science Visible: The Photography of Berenice Abbott. Photomediations Machine. Spring 2015.

Amateur Knowledge: Public Art and Citizen Science. Configurations. Johns Hopkins University Press. Winter 2011.

Inseparable Impulses: Science and Aesthetics, Ernest Haeckel and Charley Harper. Leonardo. Co-authored with Megan Halpern. Spring 2013.

Art or Science? The Practices of Tactical Media. Science, Technology and the Humanities. Stevens Institute of Technology, Fall 2011.



Out of Hand: Materializing the Post-Digital at MAD. Leonardo Reviews. June 2014.

Sensing Change at the Chemical Heritage Foundation. Leonardo Reviews. January 2014.

Berenice Abbott: Documenting Science. Leonardo Reviews. December

Pharmakon: Exhibit for SLSA. Co-authored with Jennifer Gradecki and Dehlia Hannah.
“The Sublime in Art and Science Today.” Leonardo Reviews Quarterly 2.0, 2012.

Stephen Wilson’s Art +Science Now. Leonardo Reviews. July 2010.

ANAT’S Superhuman: Revolution of the Species. Leonardo Reviews. January 2010.

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