“Intersecting Art and Science: Curation, Curriculum, and Collaboration”
AHTR (September 2017).
“Art’s Work in the Age of Biotechnology: Shaping Our Genetic Futures”
SciArt Magazine (August 2017).
“Poetry and Science.” Leonardo Gallery: Scientific Delirium Madness 3.0.
Leonardo 50:3 (June 2017): 236-245.
Frankenstein: Annotated for Scientists, Engineers, and Creators of All Kinds. Contributor. Edited by David H. Guston, Ed Finn, and Jason Scott Robert (The MIT Press 2017).
“Para-artistic Ethnography – or, Becoming a Spy in Lapland.” Co-authored with Lea Schick, Changing Weathers, Spring 2017.
Robot Spirit Engine. Editor; commissioned and publicly solicited “Cheers for the Future” collection includes poetry, flash fiction, and traditional squad cheers; Four Chambers Press, August 2016.
Making Science Visible: The Photography of Berenice Abbott. Photomediations Machine. Spring 2015.
Amateur Knowledge: Public Art and Citizen Science. Configurations. Johns Hopkins University Press. Winter 2011.
Inseparable Impulses: Science and Aesthetics, Ernest Haeckel and Charley Harper. Leonardo. Co-authored with Megan Halpern. Spring 2013.
Art or Science? The Practices of Tactical Media. Science, Technology and the Humanities. Stevens Institute of Technology, Fall 2011.
Out of Hand: Materializing the Post-Digital at MAD. Leonardo Reviews. June 2014. http://leonardo.info/reviews/jun2014/Out_of_Hand_Rogers.php
Sensing Change at the Chemical Heritage Foundation. Leonardo Reviews. January 2014. http://leonardo.info/reviews/jan2014/sensing-rogers.php
Berenice Abbott: Documenting Science. Leonardo Reviews. December
Pharmakon: Exhibit for SLSA. Co-authored with Jennifer Gradecki and Dehlia Hannah.
“The Sublime in Art and Science Today.” Leonardo Reviews Quarterly 2.0, 2012.
Stephen Wilson’s Art +Science Now. Leonardo Reviews. July 2010.
ANAT’S Superhuman: Revolution of the Species. Leonardo Reviews. January 2010. http://www.leonardo.info/reviews/jan2010/rogers.php